Monday, November 30, 2009

Li Yiliang: Age

  Age
   (To “Little Fish”)
         by Li Yiliang  tr. Fan Jinghua
It is at this age
Poets write you one poem after another
And you do not know sneer yet

The day you’ve learn how to sneer
You will be old
Be you twenty or sixty
      Nov. 17, 2009


  年龄
   ——给小小鱼
         李以亮 

是这样的年龄
诗人们纷纷给你献诗
而你还不会耻笑

等到学会耻笑的时候
小小鱼,你就老了
无论二十岁还是六十岁
    2009/11/17

  Let’s suppose this “Little Fish” is the speaker’s teenage daughter, at an age when so called poets would write poems to please her and please themselves. Let’s suppose that “Little Fish” is someone even poets may degrade themselves by pleasing her and degrading poetry. Does or will “Little Fish” learn that poetry is not to please one person, especially not by so many poets who write one poem after another for one person even that person is herself. Yes, when she learns this, she will be too wise to be fooled by that kind of “sneerable” poets. How about the poet who write this poem for “Little Fish”? I love reading this poet, Li Yiliang, from the central provincial capital Wuhan on the mid-stream of the Yangtze River.

Fan Jinghua: Winter Sun and Beyond

   Winter Sun and Beyond

The sunlight is fine, and under the reflection of brown glass shutters,
The usually dusky corner of my room becomes lighter, as if lightened by itself.
I’ve taken my mattress to the corridor, and I can expect
Tonight I will breathe in the erotic dry odor of sunlight, unable to sleep
Or able to dream of the vernal season, sans your scent.
Now, I am listening to Bach’s well-tempered clavier, and think of
The old Chinaberry in front of the house I was born. What can I write about it?
Those inedible dates hang on the forgotten top, lonely together,
Glittering under the winter sun. If I can write words as simple and blunt,
I may be a much happier person, unbent as sunlight.
The snow-patches wait quietly in the field for the sun to go west
So that they will melt, with or without anyone to watch.
Afterwards, there will be green on the roadside, and then there will be
People who are confined to the grass-lined white path, lauding the summer.
                 Nov. 25, 2009


   冬阳以及之后

天气晴好,棕色窗玻璃的折射
令室内荫蔽的地方也暗自亮了一些。
我将席梦思戗在廊下,可以期待
今夜,我将会呼吸着干燥刺激的阳光味,不能入眠
或者可能做春日的梦,而没有你的味道。
此刻,我听着巴赫的平均律;想到我出生的房子,
那门外有一棵苦楝树;关于它,我能写出什么?
楝枣子明晃晃地挂在峭寒的枝头,孤零零地一小撮,
偶尔闪碎碎的光,而无人在意;假若我能写出
与它们一样朴素直白的话,我会变成一个更开怀的人,
犹如阳光没有弯曲,所以冬天的田野上
积雪的补丁,静静地等着日头的转移,寂寞地化掉。
这之后,小路的边将开始泛起绿晕,再之后,路人
被郁郁的青草习惯性地限制于一道白,赞美着盛夏。
          2009年11月25日

Plath: Little Fugue

Sylvia Plath Collected Poems
No.158

   Little Fugue

The yew's black fingers wag;
Cold clouds go over.
So the deaf and dumb
Signal the blind, and are ignored.

I like black statements.
The featurelessness of that cloud, now!
White as an eye all over!
The eye of the blind pianist

At my table on the ship.
He felt for his food.
His fingers had the noses of weasels.
I couldn't stop looking.

He could hear Beethoven:
Black yew, white cloud,
The horrific complications.
Finger-traps---a tumult of keys.

Empty and silly as plates,
So the blind smile.
I envy the big noises,
The yew hedge of the Grosse Fuge.

Deafness is something else.
Such a dark funnel, my father!
I see your voice
Black and leafy, as in my childhood,

A yew hedge of orders,
Gothic and barbarous, pure German.
Dead men cry from it.
I am guilty of nothing.

The yew my Christ, then.
Is it not as tortured?
And you, during the Great War
In the California delicatessen

Lopping the sausages!
They color my sleep,
Red, mottled, like cut necks.
There was a silence!

Great silence of another order.
I was seven, I knew nothing.
The world occurred.
You had one leg, and a Prussian mind.

Now similar clouds
Are spreading their vacuous sheets.
Do you say nothing?
I am lame in the memory.

I remember a blue eye,
A briefcase of tangerines.
This was a man, then!
Death opened, like a black tree, blackly.

I survive the while,
Arranging my morning.
These are my fingers, this my baby.
The clouds are a marriage dress, of that pallor.
          2 April 1962

普拉斯《诗全编》
第158首

  小赋格

紫杉的黑手指摇摆着;
冷冷的云朵从上方行走。
聋子和哑巴就这样
给瞎子发出信号,但都被忽视。

我喜欢黑色的申述。
此刻,那云的特征——无!
白得像一只全白的眼!
船上,盲钢琴师的眼睛

在我的桌子上。
他摸着食物,
手指有黄鼠狼的鼻子。
我无法不盯着看。

他能够听懂贝多芬:
黑色紫杉,白色的云,
令人悚然的蕴意。
手指的陷阱——琴键的骚乱。

空,愚蠢,像盘子,
所以那瞎子笑了。
我羡慕那些盛大的噪音,
《大赋格》的紫杉树篱。

耳聋,是另一回事。
一支暗黑的烟囱,我的父亲!
我看见了你的嗓音,
黑的,长了很多树叶,和我童年时一样,

等级严明的紫杉树篱,
哥特式的,野蛮的,纯粹德国人。
那儿传来死人的哭叫。
没有事令我有犯罪感。

那么,紫杉是我的基督。
它不也同样经受折磨?
而你,当世界大战时,
却在加州的熟食店,

剁着香肠!
它们为我的梦着色,
红色,杂色,像砍断的脖子。
一片死寂!

另一种等级的巨大死寂。
我当年七岁,懵懂无知。
世界生发。
你有一条腿,以及一个普鲁士头脑。

现在,相似的云朵
正在铺展它们茫然的床单。
你什么也没说吧?
在记忆中,我瘸腿。

我记得一只蓝眼睛,
一公文包的金橘。
那么,这是一个男人!
黑黑地,死亡打开,像一株黑树。

我挺过了这段时光,
安排着我的清晨。
这些是我的手指,这是我的小孩。
云朵是一件婚纱,有那种苍白。
       1962年4月2日

Sunday, November 29, 2009

Fan Jinghua: Standing in the Car Park at 2 am

    Standing in the Car Park at 2 am.

Yesterday night at two o’clock I went downstairs to take a walk
In the parking lot under yellowish light, where cars crouched like tired animals.
That reminded me of a late return from a concert some years ago,
With my lover friend, and we stood by the car, talking about
How one interpretation about a piece of absolute music could be popularized
And something absolute was named, so that a title
Could finally violate the body, its texture and unique contours.
She’s faded out almost entirely from my life, with occasional emails
Saying hi, with the same old intimate salutation.
I could only imagine the craziness we created and shared.
Actually, I’ve inclined to believe she has been an illusion from my younger years,
Or a fantasy which has evolved into a memory in the present emotion-draining life of mine,
Just like the scene from Larkin’s high window, a perspective
Which I did often take with some unspeakable grudge, while thinking of
A girl, proud, prude and pretty, whom I wooed and failed, for she had fallen
For a man more handsome and mature with what she said “a stronger sense of security.”
That was something at once striking me dumbfounded.
Now I feel even worse, learning that the man has become richer and richer
And she keeps the house intact as long as he sticks to the family and does not
Make her see his women or carry home unspeakable diseases.
I do have her number in my mobile phone, saved as an alternative number of a colleague,
And if it had not been so late, I might have called her, although
I absolutely had no idea what to say except for perhaps
“Oh, sorry! After the second ring I’ve realized it is not a good time and this is not polite,
But you can just say ‘Wrong number!’ and hang up.”
If it had not been so late, how could I have the impulse to call?
I stood by the car-park exit which was a covered bridge over the drainage ditch,
And for a while I saw the water was washing back. So the sea was rising.
That was something given up to time but still time had no control.
When a crazy car raced by the road with loud rock-n-roll, I looked up and found
The waning moon hanging low over the contour of treetops to the west.
So many had been written about the moon in different phases that no more word
About it would not seem hackneyed. I turned my head and turned my thought.
It was for quite a while before I saw the stars that I had expected to see,
And the more I stared into the navy darkness, the more stars greeted my eyes.
                Nov. 28, 2009


    深夜两点站在停车场

昨夜两点,我下楼走走;停车场上,灯光有点偏黄,
车子趴着,犹如疲倦慵懒的动物。
我想起数年前的某个月夜,我和情人朋友
从一场音乐会归来,站在车旁谈绝对音乐如何被某个人解读,
进而被普及,阐释变成了界定,绝对被命名,
终而,标题强暴了原作、它的肌理与它的独特。
如今,她已几乎从我的生活中隐去,除了偶尔
发一封电邮,打个招呼而已,还是用那么亲密的称呼。
我只能想象那曾有的狂热,我们为自己创造,分享。
事实上,我如今已倾向于相信她一直是我更年少时的幻觉,
或者一个幻想,进化成记忆,支撑我情感日渐枯竭的生活,
正如拉金从高窗上所见的景象。那是一个视角,
我也时常取那样的角度,带着难以明言的嫉恨,
想到一个女孩,美丽、骄傲,还正经,我追求很久而不得,
因为她更喜欢一个更成熟英俊的,那男人具有她所说的
“更强的安全感”。那句话一出口,我就被堵得哑口无言。
而今想起她,我感觉更加糟糕,知道她的老公越来越有钱,
而她越来越懂得将家守得紧紧,
只要他不离不弃,别令她撞见那些女人,也别带回说不出口的脏病。
我的手机里有她的电话,保存为我一个同事的备用号码;
要不是太晚了,我可能就按一下键拨通,可我实在不知道会说什么,
也许就是“哦,对不起,响了第二声我就意识到
我打得不是时候而且还很不礼貌;你可以说‘打错了’然后挂掉”。
要不是这么晚的夜里,我又怎么会有与她说话的冲动?
停车场的出口处是一座有盖的桥,建在排水沟上,犹如廊桥,
我站在桥头,看到水在回流。那是海在涨潮。
大海将自己交付给时间,而时间却无力制约海水。
一辆车神经病似地在外面的路上飞驰而过,留下一段摇滚乐的吼叫,
我抬头发现亏损的月亮悬在西边树梢轮廓线的上方。
无论月亮处于什么项位,都已被写得太多,再难有什么字句
会显得不是陈词滥调。于是,我转头,也就转了念头。
过了好一阵子,我的眼睛才看到我意料中的星星,
盯着那深海蓝色的夜空越久,看到的星星就越多。
              2009年11月28日

Yu Nu: Four Poems

-->
  So I Think
       by Yu Nu (1966-)  tr. Fan Jinghua
I want to lead
The life of a seed that won’t sprout
In a glass utensil and keep looking out
Some suspended particulates and a grain of stone
Make the state of my mind. You say
That is dirt, that is ghost
      May 19, 2003
  这样想着
我要过一种
不发芽的种子的生活
在玻璃器皿里,望着外面
一些悬浮物和一颗石头
那是我的心情。你说
那是土,那是幽灵
  2003.5.19

  In Solitude
       by Yu Nu (1966-)  tr. Fan Jinghua
When in solitude, I do not like using language.
A bear and a parrot are sitting
At two ends of a see-saw.
The see-saw tilts. Many things
Are not to be weighed; I am a bear and you are parrots.
I am this bear, and I do not use
Your language.
        July 20, 2003
  孤独时
孤独时我不喜欢使用语言。
一头熊和一只鹦鹉坐在
跷跷板的两头
跷跷板朝一头翘起。很多东西
没办法称量,我是熊你们是鹦鹉。
我是这头熊我不使用
你们的语言。
      2003.7.20

  Inattentive
       by Yu Nu (1966-)  tr. Fan Jinghua
A few birds are flying over the river
As if the expanse of the water is because of them
As if the wind, wave and the chaos between sky and earth are because of them
I forget this place
Get rid of the surroundings to chase them
        April 7, 2004
  旁骛

几只鸟在江面上飞
仿佛江面的宽阔是因为它们
仿佛风、浪和天地间的混沌也是因为它们
我忘了这里
脱离周围的事物去追它们
    2004.4.7

  To Climb a Wall at Midnight
       by Yu Nu (1966-)  tr. Fan Jinghua
I climb a wall at midnight
The wall is high, and often I drop at half-way
To the base. My spirit is low and bad, like
A face that grits its teeth
      June 14, 2004
  半夜去爬墙
半夜去爬墙
墙很高,我往往爬到一半就掉下来
在墙根下,我的心情糟透了,像咬牙
切齿的面容
      2004.6.14
About the poet
  Yu Nu (Yu being his family name, 1966-) changed his original given name into Nu (Angry) in 1992, because he wanted to show his despise toward the inertia and low-brow popular taste of poetry-writing of the time. He then started experimenting with what he calls “chaotic” writing. He is considered to be at the front of contemporary avant-garde Chinese poetry.

Thursday, November 26, 2009

Fan Jinghua: Loneliness is a night bloomer

   Loneliness is a night bloomer…

    And for many, the immediate cause for insomnia is
    which of the two pillows to lay their head

He casts a smiling look at the night flower and imagines an illusion. He is no swordsman.
The light on blades differs in warmth, some inherent, some out of tempering and polishing,
Like a man cannot present a man by stroking his jaw to know the shave is clean and smooth.
Yes, you are right, like the majority of people who are right to believe
Veiled temptation can always prove the everyday truth. But how can truth be proven right?
Truth is to be believed, or proven wrong, and this leaves you puffy and unsatisfied.

For a flower-watcher, eyes go for the shape and the color; if they could transform
Into the color and the shape, there will be undisguisable expression in the simplest form.
That form of unemotional appreciation does not make anyone proud, but has a fatal attraction
To those confident emotional animals, as if it is sex for spectatorship, with detailed rhythms.
When the moans are cut short, all the actors turn to get dressed, going home in cold moonlight,
Out of the magnificent pop-up bedroom through a rusty iron-bar gate, with a pack of takeaway.

What follows is mundane, and excites in an ordinary man imagination and loneliness—
Zippers and buttons are undone again, so casually that she forgets this is undone for herself.
                       Nov. 26, 20009

总是会在两种语言之间不知所措(错)。这首诗原本是写了英文,然后放到一边,重写中文《越夜越软》,但是直译的如下:


   孤独是一种夜花植物……

     而对于很多人,失眠的最直接原因是
     不知要将头放在那两个枕头中的哪一个

他投下一瞥,对着这夜花,想象一个幻象。他绝非剑客。
刀刃之光的不同在于温度,有些内在于材料,有些出于淬火与抛磨,
如一个人摸着下巴,知道它刮得干净而平滑,但这并不能呈现男人之男。
是的,你很正确,正如绝大多数人正确地相信
戴着面纱的诱惑总能证明日常的真理。但真理怎样证明正确?
真理是供人相信的,或者证明其错误;这令你愤愤而不满。

对一个赏花者而言,眼睛冲着形与色;如果它们会转化为
色与形,那就会有无法掩饰的表情,显示为最最简朴的形式。
那不动情的欣赏并不令人骄傲,但对于那些自信的感情动物
有致命的吸引力,犹如供观赏的性,带着细节的节奏。
当那些哼哼唧唧被切断,所有的演员转身穿戴整体,走出华丽的
道具卧室,穿过锈蚀的铁栅栏门,在清冷的月下打一包食物回家。

其后的事很庸常,但刺激着普通男人的想象与孤独——
拉链与纽扣再次解开,随意得她竟忘了这一次解开是为自己。



    越夜越软
         Loneliness is a night bloomer, and for many
         孤枕是否难眠这个问题才令人难眠

面对矜持的勾引而不能淡然微笑,这样的人也不会笑得开怀;
当然,他更不善用刀。刀光与刀光有温度的不同;
有些来自其内,并非只是淬火和抛磨的结果,
正如男人,两指摸着下巴,知道是否整洁,这还不够。
你没错,像绝大多数正确的人一样正确;矜持的勾引几乎
总能证明真理,只是真理只可证伪,所以你必然愤懑不满。

看花者,眼睛映照着形与色,若那色与形在眼中互换,
如乘法口诀,那么就会有九九归一的表情浮现,想掩饰都难。
那冷硬的透彻并不能令他自豪,却总能吸引自信的感情动物,
似乎那是观赏的性,AV女清洁的细节,有细腻的节奏;
而待那叫声消停,所有人转身就已穿戴整齐,从辉煌的道具卧室
走出锈蚀的铁门,瞥一眼清冷的月亮,各自带着外卖回家。

然后的日常才日常得令人想入非非,且孤独得心疼他人——
所有拉链与纽扣再次打开,随意地,甚至忘了这是为自己而脱,如蚕宝宝。
                 2009年11月26日

Plath: An Appearance

Sylvia Plath Collected Poems
No. 159

   An Appearance


The smile of iceboxes annihilates me.
Such blue currents in the veins of my loved one!
I hear her great heart purr.

From her lips ampersands and percent signs
Exit like kisses.
It is Monday in her mind: morals

Launder and present themselves.
What am I to make of these contradictions?
I wear white cuffs, I bow.

Is this love then, this red material
Issuing from the steel needle that flies so blindingly?
It will make little dresses and coats,

It will cover a dynasty.
How her body opens and shuts—
A Swiss watch, jeweled in the hinges!

O heart, such disorganization!
The stars are flashing like terrible numerals.
ABC, her eyelids say.
            4 April 1962


普拉斯《诗全编》
第159首

   外貌

冷藏箱的微笑毁灭我。
我至爱的人,脉管里有如此的蓝血流!
我听到她强劲的心跳的呼哧声。

百分比与并且的符号,从她的唇间
蹦出,像亲吻一样。
她的心灵是星期一:道德

自我洗涤,自我呈现。
我该怎样去理解这些矛盾?
我衣领袖口有白卷边,我弯着腰。

那么,这是爱吗?这种红色材料
从飞得令人目眩的钢针中流出来。
它将会缝制小衣裳和外套,

它将会覆盖一个朝代。
看她的身体展开又闭合——
一只瑞士手表,用珠宝焊接!

哦,心啊,怎会如此紊乱!
星星闪现着,像可怕的数字。
ABC,她的眼帘说道。
       1962年4月4日

Tuesday, November 17, 2009

Fan Jinghua: Reading Bits

 Reading Bits
  碎读

At dusk, daylight is thickening.
Reading The Book of Poetry as a sutra.
And insects begin to join.
  及晚,昼光在浓厚。
  读《诗经》如佛经,亦如爱经。
  虫子渐次加入。

Way deep into the night. Curtains almost overlapped, itching.
A zither by the wall, my fingers glide-stroking it.
Could someone in dreams hear it?
  夜深。窗帘几乎交叠,痒痒的。
  墙边的一把琴,我手指一抹。
  做梦的人能听到么?

Stretching, walk over to the wall of shelves,
Nipping out a folded Heart Sutra.
“No” and “Emptiness” have juice and then I find a postcard from a friend,
Beauty of the calligraphy mirroring the beauty of a mind.
  伸展着,走到书架的墙前,
  捏出《心经》的金折子。
  “不”与“空”有汁,我看到一张夹着的明信片,
  美丽的书法,映现美的心。

Sitting, I am a wall
To close a cubical space,
Stationery scattered under the lamp like reefs.
All the walls dissolving.
  坐着,我是一堵墙
  封闭了一个方格的空间,
  文具零乱在灯下犹如珊瑚岛礁。
  所有的墙都在消散。

There are so many different islands on the distant sea,
There are so many different seas.
One has to use imagination, seeing them or not seeing them.
  远方的海上有那么多不同的岛屿,
  远方有那么多不同的海。
  看见或者不看见,都需要运用想象。

Alone and silent, I can hear the stirrings in churches, temples and mosques,
And then bedrooms and kitchens.
I cannot hear a study or a scriptorium.
  一人,沉默,我能听到教堂、庙宇和清真寺中的微动,
  接着听到卧室与厨房的声音。
  我听不见书斋或抄经室。

Reading those words of the past, loving.
Water combing weeds, water combed.
No narcissus, but still reflecting
So many faces
Of mine, at a scratch of a water spider.
Those bodies, of nymphs, words and the abstract,
Sending me to the otherworld.
  读着过去的字,爱着。
  水,梳过水草,被梳。
  没有水仙,可仍会倒映
  那么多脸,
  我的,在一只水蜘蛛长脚的轻划下。
  那些小仙的、字的、抽象之物的身体
  将我送入另一个世界。
           2009年11月10日及15日

Sunday, November 15, 2009

ZHOU Gongdu: Four Poems

ZHOU Gongdu four Poems
周公度诗四首

  People with Good Luck
    by ZHOU Gongdu  tr. FAN Jinghua

In ancient books
There were many with good luck.
If they loved one person,
They'd love till death.

In ancient tombs,
There were also many with good luck.
If they loved one person,
They'd bury together.

  好运气的人
     周公度
古代的书上,
有许多好运气的人。
他们爱一个人,
就爱到死。

古代的坟墓里,
也有许多好运气的人。
他们爱一个人,
就埋在一起。
    2009年9月9日 西安

  My Heart
    by ZHOU Gongdu  tr. FAN Jinghua

Above clouds,
Between rains;

In the eyes of every young beast,
In the root of every plant.

Inside your rock,
Inside your icefall.

  我的心
      周公度
在云朵之上,
在雨水之中;

在 每一个幼兽的眼里,
在每一棵植物的根系。

在你的岩石之内,
在你的冰凌之内。

在布匹的空隙,
在河 流的泥沙。


 My Understanding of Love
        --Maybe a fiction
      by ZHOU Gongdu  tr. FAN Jinghua

He says: I could die for you.

She rebuts: could you?
He goes away and dies.

Then, she gets married with another.
     August 26, 2009

  我对爱情的理解
      ――权当作是小说

他说我可以为你去死。

她反问他:是吗?
他就去死了。

然后,她与另一个人结了婚。
      2009年8月26日

    Night at Huangyuan
      by ZHOU Gongdu  tr. FAN Jinghua

  The night sky at Huangyuan, with stars among clouds, tinkle like a heart in love.
  Walking out through the gate of Town God’s Temple, outside the Gate of Arch, one may count how many beautiful girls pass by. Evening breeze on the summertime plateau has already the breath of ice, but inside the bosom of beauties, there is no season. Their legs are shiny smooth, their necks gracefully contoured, their waists soft, noses luxurious and raised, lips perhaps sweet and honey-dripping.
  I see them, and wish you were by my side. Under the boundless constellation, I’ll take my time kissing you at leisure.
                      August 13, 2009

      湟源夜色
          周公度
  湟源的夜空,星辰布列云集,闪烁如爱一个人时的心。
  自城隍庙前步行而出,在拱海门外,数往来的年轻女孩。高原夏末的晚风,已有冰的气息,但美人的体内,没有季节;她们的小腿是光洁的,颈项是秀润的,腰是软的,鼻子是丰而隆起的,嘴唇也许都是甜至蜜的。
  我看到她们,就想你也在身边;在浩瀚星云下,我慢慢地亲吻你。
                     2009年8月13日



About the Author:
ZHOU Gongdu (1977-) has edited many magazines, the most influential one at present being a poetry magazine based in the ancient city of Xi’an. He has a kind of shrewdness unequalled among his age group, and his poetry, usually written in a language to the simplest which echoes the pre-Han style (Han Dynasty precedes Tang Dynasty), leaves much more unsaid that said. I believe he is also the best poet who can write a kind of soft erotic poetry.
作者简介
周公度 (1977-)编辑过许多杂志,目前最有影响的是《诗选刊》。他具有一种同龄人难以匹敌的锐利之智,而他的诗歌语言通常是精简朴素到极处,令人感到有汉代之前的余味,留空很多,没说出的远远多于没有说出的。我相信当代中国他是将软情色诗写得最好的诗人。

Plath: Crossing the Water

Sylvia Plath Collected Poems
No. 160

   Crossing the Water

Black lake, black boat, two black, cut-paper people.
Where do the black trees go that drink here?
Their shadows must cover Canada.

A little light is filtering from the water flowers.
Their leaves do not wish us to hurry:
They are round and flat and full of dark advice.

Cold worlds shake from the oar.
The spirit of blackness is in us, it is in the fishes.
A snag is lifting a valedictory, pale hand;

Stars open among the lilies.
Are you not blinded by such expressionless sirens?
This is the silence of astounded souls.
               4 April 1962


普拉斯《诗全编》
第160首

    渡水

黑的湖,黑的船,两个黑的剪纸人。
在此汲水的黑树,哪里去了?
它们的阴影肯定盖住加拿大。

一缕幽光透过水的花朵滤出。
它们的叶子不愿我们匆匆划过。
它们圆圆的,平平的,满腹幽暗的劝告。

冷冷的世界因船桨而晃动。
黑的精灵在我们内心,在鱼的内心。
一截树棍举起苍白的,告别的手;

星星开放在睡莲丛中。
难道你没因这些毫无表情的水妖而失明?
这沉默,来自被惊呆了的生灵。
          1962年4月4日

Thursday, November 12, 2009

Lü Yue: The Son of Woman Cannot Understand

 The Son of Woman Cannot Understand
              by Lü Yue  tr. Fan Jinghua

The son of woman cannot understand
The woman’s ankle bruised by new slippers
He points his plumpy hands and cry: blood, blood

The ankle that is bruised when God tries on the new world
God wishes his own son to understand
But no permission to point at it
Much less to cry


  女人的儿子不能理解
       吕约

女人的儿子不能理解
女人被新凉鞋磨破的脚踝
他伸出胖乎乎的小手喊:血,血

上帝为试穿新世界磨破的脚踝
上帝希望自己的小儿子理解
但不许指着它
更不能喊



Lü Yue at an old temple on the outskirt of Beijing in Sept 2009

Lü Yue: Sitting

Lü Yue: Sitting
吕约《坐着》

  Sitting
     By Lü Yue (1972-)  tr. Fan Jinghua

All that have butts
And no wings
Sit
And need to sit
Love to sit
Have to sit
Cannot but sit
They sit comfortably, beautifully
Gravely
Securely
And forget that they were not born with the ability
To sit
The vertebrate cannot sit, nor the arthropod
The first time to sit steady
Pays the price of blood
With teeth knocking at the chair-back
And one becomes sworn brothers
With all the chairs
And become bosom friends
With all that sit
Whenever pushing open a door, one’d look
First of all with one eye
For the one who sits
And the other eye looks for a chair
Wishing that all the chairs ogling at oneself
The most pleasing chair will walk up by itself
Asking you to sit down and putting a yellow cushion for you

The most friendly one coughs
Or nods
Indicating that you may sit
You and he both understand
As long as you sit
There are chances
No matter you are cleaning shoes, fishing or biting nails

Sitting is required to write poems
Sitting is required to negotiate
Sitting is required to undersign a mandate
The most wonderful is to sit on someone’s laps
But this could not be long
For he would worry that you might finally sit on his head

To say right or wrong when you are sitting
Is more powerful
Than when you stand
For there will be people running to propagate it
To those who are standing or kneeling
There may be a little inconvenience in sitting
But it would make other hard to breathe

If everyone is sitting
While you alone are standing
There is much danger in this
It would be better that everyone stand while you sit
But there is danger in this too

To walk or run is to search answers
To lie down is to abandon answers
But to sit means you know where the answers are
For sitting is the answer

Dear friends
I remember your sitting postures
You sit beautifully
Securely
Sitting down is an authorized right
Sitting down is a power
From sitting down
To sudden standing up
There is also a power
But that power is still not comparable
To sitting all the time

The most dreadful for the most powerful one
Is for the enemy to take a chair
And sit down in front of him
The only persons who do not fear are the children
Who do not like to sit down

To sit at the street corner waiting for no one is also an authorized right
To sit by a tomb is another kind of right
To sit on a toilet bowl is the least right
Like a reverent monk waiting for nirvana
Is this the supreme right?
To sit on a portrait
In an artwork saleroom to wait for the highest bid from a Dubai man
Is the highest state one can achieve
But what if a child who refuses to sit down
Sets fire on the portrait?

When sitting, the tail is under the rear
And this can modify one’s physique and blood type
So the legs become shorter and feet grow smaller
While the belly and head are turning bigger and bigger
Like those half-bodied family in a pact of pokers
All the vitality and ignorance one was born to
Expands during sitting

One sits down to nod
To count money
To make love
To kill others, to make up
To wait for death
And forgets that when sitting one can fly
With the gunpowder from the earliest dynasty or the rocket of the latest model
To launch oneself away
To a crater in the southeastern corner on the Pluto
And when landing one still keeps a sitting posture

If you want to keep that posture to the last minute
God will bring a chair
And let you sit before him
The rest from His Creation will not object
They would stand, squat, lie face up or down
In the corridor outside God’s office
Their eyes dull
Like a pile of rocks
They are neither sitting nor not sitting
Are they intending to crack down those who are sitting like sitting?
Will they punish all those who sit
And force them to pay tax?
Or to force them to sit in a circle and sing a nursery song?
Are they designing the plan?

Some people sit so straight
As if sitting is not necessary at all


About the author:
Lü Yue (surname or family name is read as /lju:/, and her name is read as /jue/) was born in 1972, and graduated from East China Normal University in SShanghai. She wrote with a very colloquial style, and sometimes is grouped with the so-called "The Lower Part of a Body" poets, but she is more gender conscious.





 坐着
     吕约
所有没翅膀
有屁股的东西
都坐着
需要坐着
热爱坐着
不得不坐着
不坐不行
坐得舒服,坐得漂亮
坐得庄严
坐得安稳
以至于忘了自己不是一生下来
就能坐的
脊椎动物不能,节肢动物也不能
第一次坐稳
付出了血的代价
牙磕在椅背上
从此与所有的椅子
成了拜把兄弟
与所有坐着的东西
成了知己
无论推开哪扇门,首先
一只眼睛找那个
坐着的人
一只眼睛找椅子
渴望所有的椅子都只对自己使眼色
最热情的椅子自己走到跟前
请你坐下,还给你递上一只黄色靠垫

最友善的人咳嗽一声
或点点头
暗示你坐下
你和他都相信
只要坐下来
就有了机会
哪怕是坐着擦鞋,钓鱼或啃指甲

写诗需要坐着
谈判需要坐着
签署命令坐着
最美妙的是坐在另一个人腿上
这种好事是不长久的
因为他担心你最后坐到他头上

坐着说“对”或“错”
比站着说
更有力量
马上就有人跑着去传达
给另一些站着或跪着的
坐着虽然行动不便
但足以让别人呼吸困难

所有人都坐着
只有你站着
这很危险
最好是所有人都站着只有你坐着
这也危险

走或跑是寻找答案
躺下是放弃答案
坐着是知道哪里有答案
坐着就是答案

亲爱的朋友们
我记得你们坐着的姿态
你们坐得漂亮
坐得稳
坐着就是一种权力
坐着就是力量
坐着坐着
突然站起来
也能产生一种力量
但还是不如坐着
有力量

最有力量的人最害怕
敌人搬一把椅子
在你对面坐着
只有那些不肯坐下来的孩子
不害怕

坐在街角无人可等也是一种权力
坐在坟边是另一种权力
坐在马桶上是最低权力
像高僧一样坐在瓮里等待涅槃
是最高权力吗?
坐在画像上
在潘家园市场等待高价拍卖给一个迪拜人
是最高境界
但万一被一个不肯坐的孩子
放火烧掉呢?

坐着,尾巴压在屁股底下
改变了你的体态和血型
腿越来越短脚越来越小
肚子和脑袋越来越大
像扑克牌上的半身家族
与生俱来的活力与无知
在坐之中膨胀

坐着点头
坐着数钱
坐着做爱
坐着杀人,坐着化妆
坐着等死
忘了可以坐着飞
坐在一把高背椅上
用商代的火药或长江八号火箭
把自己发射出去
降落在冥王星东南角的一个坑里
着陆时保持坐姿

如果你想将坐姿保持到最后一刻
上帝会搬一把椅子
让你坐在他对面
其他的造物群不会发表意见
它们在上帝办公室门口的走廊上
站着,蹲着,躺着,趴着
眼神无光
像一堆石头
似坐非坐
它们是想打击那些坐得太像坐着的人吗?
它们会罚所有坐着的
向它们纳税吗?
会罚他们坐成一圈合唱一支幼儿园的歌吗?
它们是不是在策划?

有些人坐得如此笔直
仿佛坐着根本没有必要

Wednesday, November 11, 2009

Plath: Among the Narcissi

Sylvia Plath Collected Poems
No. 161
    Among the Narcissi

Spry, wry, and gray as these March sticks,
Percy bows, in his blue peajacket, among the narcissi.
He is recuperating from something on the lung.

The narcissi, too, are bowing to some big thing:
It rattles their stars on the green hill where Percy
Nurses the hardship of his stitches, and walks and walks.

There is a dignity to this; there is a formality--
The flowers vivid as bandages, and the man mending.
They bow and stand: they suffer such attacks!

And the octogenarian loves the little flocks.
He is quite blue; the terrible wind tries his breathing.
The narcissi look up like children, quickly and whitely.
                5 April 1962

普拉斯《诗全编》
第161首

    水仙丛中

敏捷,扭曲,灰暗如三月的树枝,
珀西身穿蓝色的水手尼夹克,弯着腰,在水仙丛中。
他在休养,肺部长了东西。

水仙花也弯着腰,对着某个庞然大物:
它不停地对这片绿山上的星星说话,珀西
在这儿调养他缝合的苦头,来回散步。

对待这一切,有一种尊严;一种礼仪——
鲜花栩栩如生,如绷带,而这男人在修补。
它们弯了腰,又站直:承受这许多侵袭!

而八十高龄的人,爱着这些小小的群聚。
他很忧伤;凌厉的风考验着他的呼吸。
水仙花抬眼一瞥,孩子似地,很快,苍白。
            1962年4月5日

Monday, November 9, 2009

Fan Jinghua: Death

  Death

It is a dim cloud that falls flat before falling upon me, measured and uncompromising,
Like a gigantic beast, hairy under the belly with a touch of warm white.
I can feel its heavy lightness and its sucking clamps. I try to maneuver my feet
But I am raised in the air. My dozen of feet are racing like blades of a fan,
Useless paddles or wings, and I am under the cloud, sucked tight to it, breathing disgrace.
The light is arching in the east, and also arching is my callipygian love.
She turns, and rolls into a bow, bosom empty, dropping like a coral island.
                Nov. 9, 2009

   

那是一朵暗云,以仆倒之姿扑向我,审慎而威严,
如一只巨大的兽,腹部有毛,还可见温暖的白色。
我能感到它沉重的轻,它吸盘似的夹子。我试图运动起我的脚,
而我已被升到空中。十几只脚在空转,如电扇的风叶,
无用的桨、无用的翅膀。我在那朵云的身下,被吸得紧紧,呼吸着耻辱。
光正在东方酝开弧线,也酝上了我臀部优美的爱人。
她翻转了身体,半蜷成一张弓,空着怀落下去,像一座珊瑚岛。
           2009年11月9日

Baima Cuomu: Three poems

Three poems by Baima Cuomu
白玛 诗三首

  I See a Tipsy Hummingbird
             By Baima Cuomu   tr. Fan Jinghua
Pushing open the window, I see no hollering blue sea
But a hummingbird tipsy in the sunlight
With its needlelike happiness and needlelike pain. I see
Tipsy hummingbirds anchoring in the sunlight, like grains of sand.
          Oct. 18, 2009


  我看见微醉的蜂鸟
           白玛
推开窗子,没有蔚蓝色大海在呼喊
我看见微醉的蜂鸟在阳光里
针状幸福、针状痛。我看见
微醉的蜂鸟停泊在阳光里如沙砾
          2009年10月18日

  Luckily I am only a tall tale for you
It is said that I only sing on the midnight sea surface, and never have a drop of tears
If I sink into remembering, I would dance, and there is not a single star
Seeing my pain. There is not a single traveler from a foreign land
Showing his unclouded smile. No eyes gaze at the flower of storm in my palm.
                 Sept. 12, 2009

  所幸我只是你的传说
           白玛
传说我只在午夜的海面上唱歌,从没有泪水
如果陷入回忆,我就跳舞,没有一颗星星
看见我的疼痛。没有一个异乡人
展现他清朗的笑容。没有视线停留于我掌心的风暴之花
         2009年9月12日


    Being Present
            By Baima   tr. Fan Jinghua
Those flowers that crawl and cry on the ground, I am not among them.
I am an absentee, with a snake-like waist, gnashing my teeth
For the spring that comes late. I am also the beloved of gold, disowned
From the whitefly clan. Such a eulogy is enough to cause deafness.

One day, I struck a piece of luck and lost my way. No one ever looked along the road.
Burying myself in the drunken Orion, peeping at language’s hidden arsenal,
Walking past the summer, and annoying winter, and then seeing the unaccountable
Disquieting spring. Even if my mouth is clogged by rice straw, I would say: I am present.


    在场
         白玛
那匍匐在大地上哭泣的花朵中没有我
我是那水蛇腰的缺席者,为着迟来的春天
咬牙切齿。我还是金子的意中人,是粉蝶家族的
逆子。如此溢美之词足以致聋

有一天我幸运地迷了路,没有人沿途寻找
埋伏于醉酒的猎户星座,偷窥被暗藏的语言的枪支
走过夏天,又走过恼人的冬天,又迎来莫名其妙的
躁动的春光。纵使拿稻草堵住嘴巴,也要说:我在场



           Baima in Tibet Sept. 2009


About the Poet 诗人简介
 Baima, or Baima Cuomu, born in Shandong in 1972, began publishing poems as early as at the age of 16. She had been in the army in Beijing, and lived in Jiangsu, Beijing and Lhasa. She now lives in Linyi, Shandong. She authors a poetry book The Messenger on the Way, and co-authors a poetry book We Seven. Baima is a fiercely confident poet, but chooses to key very low-keyed. I believe she is among the top dozen of women poets of contemporary China.
 白玛,或白玛措木,1972年生于山东,早在16岁时便发表诗歌。她曾在北京服役,居住过江苏、北京、拉萨,现居山东临沂。出版过个人诗集《信使在途中》、合集《我们柒》。白玛是一个非常自信的诗人,但是选择一种非常低调的生活,游离于所谓的诗坛。我相信她是中国当代最优秀的一打女诗人之一。

Zang Di: Science of Nothingness Series

Zang Di: Science of Nothingness Series
臧棣: 虚无学丛书


  Science of Nothingness Series
        By ZANG Di (1964-)  tr. FAN Jinghua
Forgive me! I can only do this in absolute
Darkness. Spreading wings, hovering, and gliding,
So dark is every juncture that it can be easily imagined,
And then it returns to its wonderful foothold, no deviation.
My spirit grows intensely focused for I sink too deep in darkness.
I know darkness, like these lions who have forgiven atheism,
And these adult lions who sleep in your zodiac.
All around me, only darkness is primitive,
Only darkness is free from dark politics. Darkness swallows water-tower,
And apartment buildings, and shabby bungalows,
And the small stony bridge, and the small lake at the end of the woods.
Darkness blurs all the boundaries. If you have no idea who I am,
The absolute darkness will bring you an identity.
Forgive me, but there are things that have to be spelt out clearly:
If there is no such darkness, there will be no happiness for the universe.
                July 2008



   虚无学丛书
         臧棣
原谅我,我只能在绝对的黑暗中
才能做这件事情。展翅,盘旋,滑翔,
每个环节都黑暗得不难想象;
随后,准确地回到美妙的落脚点。
我的精神因深入黑暗而高度集中。
我领略黑暗,就像这些狮子原谅了无神论。
这些成年的狮子就睡在你的星座上。
在我的四周,只有这黑暗是原始的;
只有黑暗摆脱了黑暗的政治。黑暗吞没了水塔,
吞没了居民楼,吞没了小平房,
吞下了小石桥,咽下了林子尽头的小湖。
黑暗模糊了所有的界限。假如你不清楚我是谁,
绝对的黑暗会给你带去一个身份。
原谅我,有些事情必须表达得毫不含糊:
假如没有这黑暗,也就没有宇宙的幸福。
           2008.7.

About the Poet 诗人简介:
   ZANG Di (1964-) is one of the best and most prolific contemporary Chinese poets. He has just been awarded 2008 Chinese Writing Award for Poetry, the most prestigious literary prize for writing in Chinese. He teaches in Department of Chinese, Beijing University.

Friday, November 6, 2009

Xiao Maxian: Socks & An Empty Alley

Xiao Maxian: Socks & An Empty Alley

These two tiny poems are the first ones that Xiao Maxian takes me by surprise and I still believe they are among her best and the most representative. “They do not imitate themselves, and yet they have already become so much like themselves”. These poems are too elusive to be translated.


  Socks
        By Xiao Maxian  tr. Fan Jinghua
White socks dripping water
Ears hanging down

Necks on clips
Down and out

Not yet imitating, they already become themselves
With a small wind
They are so smug

With swaggering
Unkindness
 
  袜子
     小玛仙
白袜子滴水
耷着头

脖子被夹住
落魄样

没学自己就惟妙惟肖
小风一吹
又得意

摇头晃脚的
不厚道

  An Empty Alley
        By Xiao Maxian  tr. Fan Jinghua
Just rained
Limestone slates become sassy
Eyes keen and brows clean-cut

Thin bamboo poles springy
Wet clothes hiding

No shoes hitting it
It dissipates by itself

  空巷
     小玛仙
刚下雨      
青石板俏起来     
眉眼清晰
      
小竹竿晃呀晃     
湿衣服躲起来
      
没有鞋子敲它     
自己浪


我读:
“耷”,本意“大耳朵”,一下子将一只白袜子等同于一只大白兔,于是生机顿时盎然,紧接着袜脖子被夹住,简直就是被吊死一样的“落魄”。诗人没有说为何,因为在当今的这个社会上(我们假设有一种“后现代的不确定性”),人的情绪等等恐怕再也没有了可以期待的“恒定性”,因此“落魄”实在可以是一种可消费的情绪。这样的状态自可用自身来界定,无须模仿他人,无须模仿历史,只需要随着自己的情绪就已经是对于自己的一次模仿了。
这令我想到一个叫做Simulacrum“拟像”的术语。这是一种随着时间(风尚)滑动的像,最终甚至连原来的像是什么也最终消失。于是,“小风一吹”,表情犹如橱窗上的滚动广告,令你眼中的afterimage余象还没来得及消失在眼底,它已经又是一副嘴脸了。面对如此“不确定性”的人或事,你如何应对?然而,诗人并没有呼吁什么,诗人生活于其中,和它一样高,看着它,笑。不是人情纸薄,只是不厚道而已。然而这“不厚道”并非什么指责,而是一种新的看的方式;在这种观看中,生机就是美。

《空巷》和上一首所指的差不多。在上面一首,诗人将一只袜子注入了生机,然后让它在风中成为空间的焦点,一个凝聚点。这首诗则反过来,让空间自己成为焦点,诗人抽调了里面本可以成为焦点的物。这诗中的景象多少令人想到戴望舒那首著名的诗,然而那首诗先将个人情感强加到一个视觉形象,然后借助一个无限延伸的空间“雨巷”(也是时间、情感),迫使读者先在视觉上紧接着在情感上与诗人认同。勿容置疑,戴望舒做得非常成功,那是一种古典的方式(当然意义层面可以是另一回事)。
  诗人在这里将巷子腾空了,她的视点就是巷子本身,“青石板俏起来”,“俏”得犹如女子刚刚抹了保湿摩丝,湿湿的,更映衬出轮廓来了,巷子变成了一个眉目清秀的女人。这是一个很大胆的隐喻,骨肉分明,性感荡漾。这里有一种内爆似的张狂,毫不咄咄逼人;感觉敏锐的自然会感到,感觉不到的,它才不屑于撩拨。它“自己浪”,就是这种状态,自为的/自慰的游戏性。"看"就是参与了美的构建,"看到"使得眼下被充满。

Fan Jinghua: Variations on a Love Song

Fan Jinghua: Variations on "The Love Song of a Fictive Poet"

   Variations on “The Love Song of a Fictive Poet”


I
Ten years. Another stretch of blankness starts and ends
Under the steady progress of the routine.
Happy like water plants, people drift along
From Food First to Tea Soak, where the sun pours down
Hesitant desires of an unappeasable disciplined husband and once stranded lover.

Nothing can be said but spurts of some scum on a deserted beach of romance,
When they take unnecessary sips of the cooling liquid while puffing away
The ever rising tealeaves before the final renewal of water.
Pills of stewed medicine melt in the mouth
That tries to find words encouraging and light-hearted.

II
One cannot lose what one has vainly pursued but be cut short and into pieces.
Dear, I was, am and will be. In pieces, in cadence.
Like grains of dust that long to merge, driven by some force molecular.

Want wants itself in the end that does not end. I want you, my dear one, because
Want never ends. What I want becomes the want of you, for the rest of a restless life,
A life behind this one, benchmarked by your name that I write into abbreviations.

III
I, a fictive poet, process words
Of a foreign language
That is official in a country of my own
Where only one green card is issued for the alien.
Visitor’s pass is void upon exit,
No multiple-entry, no renewal, no reapplications.
You are ineligible to my country,
And my words are open to any interpretations, however farfetched.

IV
For it is written in the sutra, sensationism is mine; I will respond.
That woman in another beardless man’s arms will never attain the spiritual height
As postulated by me, but it is universally acknowledged
Loss can be got used to, for time is a better healer to losers.

Those who do not get with easy efforts do not deserve,
The lesser mortals are born to find solace in self-mockery and theorization
About the desire to possess. Or at least some will so try,
To low-key their loss by putting on a low-key air of a guru.

Dearly beloved, indulge yourselves in your chauvinistic king
While thinking of me occasionally as if missing me is incidental.
Bliss of marriage between vanity and pride is entirely a matter of chance
Balanced by desires of fast, and only in nirvana do we break apart.

V
Yesterday is night when I see your smile soaked in the sunbeam in the doorway,
Your explosive loose curls blocking the too wide bed in the room,
On which I could have worked out the fantasy that I have practiced for a long time.
You and me, salt and sorrow between skins.

Above the valley of layered autumn, hovering blue is clearing and stilling its distilled purity.
When you close the window to me and switch to your king, my eyes
Downcast, my penis hardens like a cornucopia,
And I jerk off my saddest juice, your pictured dove gaze on my monitor.

I lie down, sagged and naked, spooning with my woman,
Her mutters drowned in the tropical storm howling outside.
Two ten-year blank stretches ago, my hand groped on your body
For stones of love that would now make your favorite necklaces, brooches or barrettes.

VI
Love is a shadow, and everyone knows this is a metaphor but ambiguity is not its beauty.
It comes when it comes, but it eludes when pointed at, like a cloud.
So many souls lost on its treacherous commuting trips on a slow night train.

He who stands by the window at dusk courts evil spirits, and by midnight
He could not even find a sandman to flirt.
He would draw a dancing skeleton and give himself up to words to describe the flesh.

So spacious it is in the hole of words that he wishes to leave his body there,
But there are no virgin tears to sluice down his soul into his mouth.
Unclaimed body cannot survive a day, exposed to the sun and consumed by worming grasses.

He will become mushrooms for Little Red Riding Hood who unwittingly gives an unfair start
To the mouth that swallows her. Yes, the evil one will die (who does not?)
But it is always the naïve ones who suffer the most, from loving, and trade off love with tears.

VII
How deep should one drown oneself in the silence of the great majority
To keep oneself guilt-free and safe?
To love thyself without self-discrimination and knowledge, is it enough?
How clammed up should one keep about the never-gotten and never-forgotten
So that one can always persuade oneself to be flamboyant and buoyant
Undulating along the drift of unknowingness like having fun on a waterbed?

He who has a family to support or be supported by, a woman to love or be loved by,
And at least a body to work and to be worked, everyday, may count himself lucky.
No matter how negligible he is, he is a high-maintenance piece of screw,
Indispensable to a very few, and there must be someone among them
Waiting for him, under a leafless tree by the yellow brick road
To The Reinforced Kingdom of Great Harmony and Lesser Suffocations.

Two ten-year latency period of amnesia is almost over,
And memory is now being systematically rewritten by grids of red flags and firework.
They also install innumerable fire extinguishers, as storms of sand and snow are unavoidable.
The wind has always been benign, and each day a new sun rises to announce their progress.
The exiled angry young men are returning to the great cradle one by one,
Where the over-slept cats, attracted by distance, offer pillows and mattress, gratis.

No Atlas to shoulder boulders for Sisyphus, there is no slope to heaven but cliffs
On which Seven Commandments of the Wingless are writ,
With Amendments semi-covered by wolfberry shrubs over the clefts.
To shelter it from erosion, sixty-seven majestic pillars stand at a two-body’s distance
From the stern wall of escarpment, to which snails stick their houses and their boneless bodies
With saliva, like barnacles on a ship in its mossed grandeur.

Midway on their life’s journey through a jungle, parent snails, for fear that when they are dying
Their words would be too lenient, break to their sons and daughters
The truth only the dead will know better
That neighbors are steppingstones, their bodies stoppers to the three representative beasts.

Statistics is truer than truth, and anyone alive and kicking in the muddy bed
Is enjoyed, unless suicided, with the average value of social satisfaction.
The Gini coefficient between births and partners is to be pre-archived as required
For reference index only, and there is no injunction to fruitless procreative activities,
As this is the basic right for the non-oviparous.

Free fuck is at everyone’s own discretion, and never try this at home.
Privacy takes priority over continental law, not limited to the virtual reality.

VIII
Behind the dialogue boxes flickering in a dark room, everyone is beautiful and gallant,
With boundless imagination, updated with the most recent version.
A mortal being belonging to the human race that sets up a high morality for everyone to fail
Has every potential for us to marvel with the agape of an open mouth.

With love, anyone can be anyone else, but there is only one origin in human flesh.
To be a cosplayer, go eBaying in the LAN of CN.
Open-mindedness here opens to open-bodiedness.
After all, there are so many great lovers with fleshes tender and staunch
To be dumped without the sensation of hurt.
Ask not what you can give under the sun; ask what you can take from the underground.
Low expectation is the virtue that founds the kingdom of euphoria.

Look! How beautiful is the flight of birds at dusk before they disappear in different trees. Tonight, I want to be your shameless lover. Call me dear from your heart, through whispers or through moans or you may nod like a silkworm into its cocoon or a flower in the autumn wind.
This is the only name I want. This is the seed with which I can hope to replant the memory of my trust. I can then walk without inferiority complex through the valley of mockery, through the destitute valley of spectacular consumption. I can be affluent for being in want, and I may sound native in the alien air.
                        Oct. 30-31, 2009


Notes:
  The poem starts with variation on Geoffrey Hill's "The Songbook of Sebastian Arrurruz" but goes astray. So the title is changed.
  The structure of "is enjoyed" & "is suicided" is a sarcastic neologism invented by contemporary Chinese netizens. They may be understood in such situations: when Gini coefficient is increasing, the government statistics shows that "average" income is increasing, so the poorer becomes in the official report richer(!), and therefore they "are enjoyed" economic progress. The same goes to those who are forced to commit suicide or are found dead as "suicides" (according to police report).
  LAN of CN refers to the fact that in China www. is never actually world wide, but the ordinary people can only browse the web with cn address. Therefore, eBay is not eBay in the western users, but only Chinese counterpart like taobao.com. In fact, this website (blogspot)can not be accessed in China, since mid-May, although before that time it could be accessed at times. The bureaucratic logic of practice is like this: When there is a need to shut down some "beyond control" websites, there will be some unofficial notification (without archivable documents of specific instructions), and the net-police in the lower rank will understand what to do. But after the sensitive period of time is over, there will be no one to lift up the curtain, and the net-police dare not or won't bother to turn on the green light. When some foreign complaints may be expected to arise or have already been made (for example, maybe President Obama's visit may be one such occasion), they may show a gesture of "opening." Of course, the ordinary netizens do not need a www., the open-bodiedness of cn is sufficient to "entertain."
  "Two ten-year latency period of amnesia" may coincidentally remind one of 1989 Tiananmen Square Incident (the official parlance changes to this now, from the earliest "anti-revolutionary riot), but of course I claim its personal significance.


   《虚构诗人的情歌》之变奏


十年。又一段空白的日子由此结束与开始,
被日常的忙碌覆盖着,人们不亦乐乎,像水草
从食为先到茶舍,中间阳光普照,洒下
迟疑的欲望,一个安分守己的丈夫曾是搁浅的情人,如今心有不甘。

他们并不必要地啜着逐渐转凉的液体,细致地将不时浮起的茶叶
吹开,等待着最后一次续水。
哪有流畅的话能够从心的深处说出,那咳出来的一坨坨
是游人散去后浪漫海滩上的浮渣。
含着中成药丸的嘴,试图吐出一些安慰与轻松的字词。


徒然追求那么久了,再没有失去可言;追,如今只是碎步,无穷动的脚趾。
亲爱的,我曾经,仍然,将会,或许永远。那离散的碎,亦是抑扬顿挫的节奏。
犹如尘埃的颗粒渴望聚集,因为有一种驱动力,分子层的。

渴望最终渴望的是渴望自身,而最终却遥遥无期。我,渴望着你,
正是渴望着亲近一种遥远;而我就在自己的远方,等候。这令我不再等候
你,在我不虞的余生。我一生的背后,里程碑都标着你的名字,用不同的缩写。


我,一个虚构的诗人,在惟有我一人的国度
处理一种外国文字,而那是我的官方语言。
我的国,我做主。
绿卡只签发一张,
游客签证一旦离境即告失效,
没有多程往返,没有续签,没有重新申请。
你已注定是我的外籍,
但我写的字对任何阐释开放, 容许你最牵强的附会。


因为经上写着,感官论属于我,我必回应。
那个女人在另一个不长胡须的男人怀中,必不能达到
我所设定的精神高度。这是举世公认的道理,
输者很容易习惯丧失,时间对弱者的疗效更好。

不能轻易得到的人,本不该得到,
命薄的人生来就该在自嘲中寻求慰藉,还可以
对拥有的欲望详加辨析。或者,起码有些人会这样,
不把丧失当回事儿,也就有了一副低调大师的谱儿。

亲爱的,你尽管沉溺于你那沙文主义的王,
假如偶尔想到我,一定要当作毫不经意,不是怀念,只是想到而已。
虚荣与自尊的结合,那幸福完全靠机缘巧合,谁都无法把握
欲望。只有到了涅槃才能真正割断。


昨天是黑夜,我看到你的微笑被门廊中的阳光沁透,
你松散的长卷发挡住了房内那张宽床,我想我经常
在那上面运作我长久的幻想。
你和我,皮肤之间只隔着盐与悲伤。

秋日的峡谷,层林尽染,那上方的蓝一片纯粹,可它还在澄清。
当你关闭了对我敞开的小窗,转向你的王,监视器上留下照片中你鸽眼的温柔,
我,低垂了眼,而阳具高昂,如丰饶之角,我将它撸出最悲伤的汁。

然后我软塌塌地赤裸躺下,贴着我的女人,她的呢喃
被窗外狼嚎般的赤道风暴淹没。
两个十年之前,我的手曾在你的身上
摸出爱情的石头,它们可以做成你最喜爱的项链、发卡或胸针。


爱情是一个影子,人人都明白这是一个暗喻,而含混不是它的美。
它来到时就会来到,如云,手指着的时候,已经不是。
多少人在它多变的班车上来往于深夜,丢失了灵魂。

站在黄昏窗前的人便是招引恶灵,
半夜后,他会孤独得找不到可以调情的睡梦精灵。
他只能画一个跳舞的骷髅,将自己交付给描述肉体的文字。

文字的洞穴那么宽敞,他愿意将自己的身体留在那里,
可是没有原生的泪让他将灵魂冲服下去,
而无人认领的尸体暴在阳光下被蠕动的草蚕食,只能存留一天。

他会长成很多蘑菇,小红帽因此不智地给予吞噬她的嘴巴
极不公平的优势。是的,恶终有恶报(谁能不死?),
可最遭痛苦的总是天真的人,因为爱,他们将爱掏出去,交换泪水。


要沉入绝大多数人的沉默,沉入多深
才能令自己安全,免于愧疚?
爱自己,要带着多少自我歧视与自知之明,才不是虚妄?
对于从未得到从未忘记的一切,牙关需要咬得多紧,
才能令自己的牙缝只流出洁白而愉快的心情,
在不知的浪峰上起伏如嘻游于水床?

有一个家可以养或被养,有一个人可以爱或被爱,
有一个身体可以用或被用,可谓是个幸运的人。
微不足道的,都对几个人不可或缺,
所有的维持都很巨大。
总有人会在一株无叶的树下等候,
站在那条通往大和谐与小窒息强化王国的黄砖路旁。

健忘症的双十年潜伏期转眼将尽,
从今起,红色旗与烟火的网格可以系统地重写记忆。
由于沙尘暴与雪暴无法预见而又不可避免,他们安装了无数只灭火器。
风是良性的,所以总是温和,每天都有新太阳按时预报进步的指标。
愤怒的青年从流放中陆续归来,回到伟大的摇篮,
睡得太多的猫被距离吸引,自荐枕席,还附带送一点猫粮。

再没有阿塔拉斯为西绪福斯扛着石头,通往天堂的
不是斜坡,而是悬崖,那绝壁上写着无翅生物的七大戒律,
而“除了……”字样的修正条款被缝隙中长出来的枸杞遮蔽。
严峻的崖面之外两个身长之处,六十七根巍峨的柱子紧密排列,防止风蚀,
蜗牛背着它们的房子和无骨的肉身,用口水将自己贴在柱子上,
犹如一只只恋栈的藤壶,死死钉着一条布满苔藓的大船。

在穿越丛林的人生中途,蜗牛父母
因为担心自己将死时言辞可能过于宽容,给儿女们吐露了
只有死者才更透彻的真理:
邻居,只是垫脚石,他们的身体可喂给三只代表性的野兽,用来拖延时间。

统计学比真理还要真实,每一个在泥潭里扑腾的活物
如果没有被自杀就能够被享有社会平均满足度的进步。
生育与性伴侣的基尼指数将被预先存档,这是参照的需要,
对于不结果的生殖活动,没有禁令,这是非产卵动物的基本权利。

自由的体操风险自负,请勿在家里私下模仿。
在大陆,隐私高于大陆法,这绝不仅仅限于虚拟世界。


幽暗房间中闪烁的对话框后,每个人都美丽而骁勇,
想象力丰富得总令人难以想象,与时并进的更新版本。
凡人,树立了很高的道德,只是为了无人可以达到,
这留下余地,令我们在大爱中赞叹人的潜能,张口结舌。

爱,使我们每个人都可以是任何别人,不过人肉之下只有一个真身。
要玩动漫真人,只需到中国局域网淘宝。
开放的思想在这儿引领人们进入开放的身体。
说到底,那么多高性能的有情人,或温柔如水或强壮得滴水不漏,
正等待着被抛弃,而且不会有焦灼的感官之痛。
不要问你能在阳光下给予什么,而要问你能从地下取得什么。
抑制期望是一种美德,这是欢欣王国的基石。

看啊,黄昏中的双飞鸟多么美丽,然后它们消失在各自的树林。今夜,我渴望是你最无羞耻的情人。称我是你心底的亲爱,无论低语,还是哀怨,或者你很有涵养地点头,如闭关的蚕或者秋风中的花朵。这是我渴望的惟一的名字。这是我可以期待重新种植记忆的种子。
于是,我可以穿过嘲弄的峡谷,穿过贫瘠中的炫耀消费,而没有一丝自卑。我会因为渴望而富足,在异域的空气中发出乡音。
                       2009年11月2-3日

Monday, November 2, 2009

Excerpts from Huxley's Brave New World

The following "poems" are exact excerpts from Aldous Huxley's novel, and what I have done is put them into lines.


  Brave New World
      Excerpts from Aldous Huxley’s Novel

   美丽新世界
       ----赫胥黎同名小说选段

    I
Lenina got out of the bath, toweled herself dry, took
Hold of a long flexible tube plugged into the wall, presented
The nozzle to her breast, as though she meant to commit
Suicide, pressed down the trigger.
               A blast of warmed air
Dusted her with the finest talcum powder.
Eight different scents and eau-de-Cologne were laid on
In little taps over the wash-basin.
               She turned on
The third from the left, dabbed herself with chypre
And, carrying her shoes and stockings in her hand, went out
To see if one of the vibro-vacuum machines were free.

   一
列宁娜走出浴间,拭干身体,顺手
拉出塞在墙壁里的长长的软管,
将那喷嘴对准乳房,紧紧压住扳机,
似乎她存心要自杀。
        一股暖风
吹出了精细的优级滑石粉。
八种不同的香味和古龙水
被压进了洗手池上的笼头。
           她扭开
左首第三个,让檀香拂遍周身,
然后手提着鞋子与长筒袜,走了出来,
看看那边是否有空着的振荡式真空机。


    II
"I’ve been feeling rather out of sorts lately," Fanny explained.
"Dr. Wells advised me to have a Pregnancy Substitute."
"But, my dear, you’re only nineteen. The first
Pregnancy Substitute isn’t compulsory till twenty-one."
"I know, dear. But some people are better if they begin
Early. Dr. Wells told me that brunettes
With wide pelvises, like me, ought to have their first PS
At seventeen. So I’m really two years late, not two years early."
She opened the door of her locker and pointed to the row of
Boxes and labeled phials on the upper shelf.
"Syrup of corpus luteum," Lenina read the names loud. "Ovarin,
Guaranteed fresh: not to be used after August 1st, A. F. 632.
Mammary gland extract: to be taken
Three times daily, before meals, with a little water.
Placentin: 5cc to be injected intravenally every third day…
Ugh!" Lenina shuddered. "How I loathe intravenals, don’t you?"
"Yes. But when they do one good…"
Fanny was a particularly sensible girl.

    二
“最近我感觉有点不振”,范妮这般解释。
“威尔斯博士劝我进行一次假性妊娠疗法”
“亲爱的,你才仅仅十九岁。首次强制性
假性妊娠疗法要到二十一岁才会实施”。
“这我知道,亲爱的。但有些人早一点会更好。
威尔斯博士告诉我说,像我这样骨盆较宽的
褐发女子应该在十七岁时就进行首次假性妊娠
疗法。所以说,我不是早了,而是晚了两年”。
她打开存物柜,门敞开,指着上层搁架上
排列整齐的盒子与贴着标签的小药瓶。
“黄体酮糖浆”,列宁娜大声读出,
“卵巢素,保鲜:A.F.632年8月1日之后禁用。
乳腺精:一日三次,餐前,以少量水口服。
胎盘素:5cc静脉注射,每三日一次……
可恶!”列宁娜打了一个寒颤。
“我特别讨厌静脉注射,你不怕么?”
“我也是,不过如果对人有好处的话……”
范妮,一个特别明智通达的女孩。


     III
It was warm and bright on the roof. The summer afternoon was
Drowsy with the hum of passing helicopters; and the deeper drone
Of the rocket-plane hastening, invisible, through the bright sky
Five or six miles overhead was like a caress on the soft air.
Bernard Marx drew a deep breath. He looked up into the sky
And round the blue horizon and finally down into
Lenina’s face.
       "Isn’t it beautiful!" His voice trembled a little.
She smiled at him with an expression of the most sympathetic
Understanding. "Simply perfect for Obstacle Golf," she answered
Rapturously. "And now I must fly, Bernard. Henry gets cross
If I keep him waiting. Let me know in good time about the date."
And waving her hand, she ran away across the wide flat roof
Towards the hangars.
         Bernard stood watching the retreating twinkle
Of the white stockings, the sunburnt knees vivaciously bending
And unbending, again, again, and the softer rolling of those well-fitted
Corduroy shorts beneath the bottle-green jackets.
His face wore an expression of pain.

    三
屋顶上温暖、明亮。夏日的午后,直升机的
嗡嗡低鸣令人昏昏欲睡;而火箭型飞机隐而不见,
那雄浑的低音急速穿过头顶,犹如八九千米高的
天空,一抹抚爱掠过软柔的空气。
伯纳德- 马克思深深吸了一口气,仰头看天,
继而环顾蔚蓝的地平线,最终低头凝视着
列宁娜的脸。
     “真是美啊”!他的嗓音稍带颤抖。
她报之以微笑,那表情泛着感同身受的理解。
“障碍高尔夫团契的绝佳天气”,她的回答
兴致冲冲,“但我现在要飞了,伯纳德。让亨利
久等,他会很生气。早点告诉我,我们哪天性聚”。
她挥了挥手,斜穿过宽阔平坦的屋顶,跑向
飞机棚。
    伯纳德站在那儿,看着那双白色长筒袜
耀眼的闪光愈去愈远,晒黑的膝盖欢快地弯曲、
伸直,再弯曲,又伸直,如此反复,而那贴身的
灯芯绒短裤在那深绿色夹克下柔柔地涌动。
痛苦的表情浮现在他的脸上。

    IV
"Somehow, I hadn’t been feeling very keen
On promiscuity lately. There are times when one
Doesn’t. Haven’t you found that too, Fanny?"
Fanny nodded her sympathy and understanding.
"But one’s got to make the effort," she said
Sententiously. "One’s got to play the game.
After all, every one belongs to every one else."
"Yes, every one belongs to every one else." Lenina
Repeated slowly and, sighing, was silent for a moment;
Then, taking Fanny’s hand, gave it a little squeeze.
"You’re quite right, Fanny. As usual. I’ll make
The effort."

    四
“不知怎么的,我最近不是那么渴望
不分对象地性爱。有时,人就是不想。
范妮,你是不是也发现会这样?”
范妮点头表示她有同感,也能理解。
“不过,人都得尽力啊”,她简短地
回应道,“人人都得参与这项游戏。
说到底,每个人都属于任何他人”。
“是啊,每个人都属于任何他人”,
列宁娜缓缓地重复着,叹息,沉默
片刻后,拿起范妮的手,轻轻捏了一下。
“你说得对,范妮。总是如此。我会
尽我之力”。


    V
Swallowed half an hour before closing time, that second dose
Of soma had raised a quite impenetrable wall between the actual universe
And their minds. Bottled, they crossed the streets;
Bottled, they took the lift up to Henry’s room on the twenty-eighth floor.
And yet, bottled as she was, and in spite of that second gramme of
Soma, Lenina did not forget to take all the contraceptive precautions
Prescribed by the regulations.
             Years of intensive hypnopaedia
And, from twelve to seventeen, Malthusian drill three times a week
Had made the taking of these precautions almost
As automatic and inevitable as blinking.

    五
结束时间前半个小时,他们吞下第二份速魔酊,
真实世界与他们的脑子之间就竖起一堵
几乎不可穿透的墙。晕乎乎地,穿过街道。
晕乎乎地,乘电梯去二十八楼亨利的房间。
然而,无论多么晕晕乎乎,尽管她服了第二剂
速魔酊,列宁娜不会忘记管理条例规定的
所有避孕措施。
      多年来的睡眠教学法强化集训,
从十二岁到十七岁,一周三次的马尔萨斯式操练,
已经令这些防御措施实施起来,犹如
眨眼一样自动而不可避免。


     VI
"But I don’t want comfort. I want God, I want poetry, I want
Real danger, I want freedom, I want goodness. I want sin."
"In fact," said Mustapha Mond, "You’re claiming the right to be unhappy."
"All right, then," said the Savage defiantly, "I’m claiming
The right to be unhappy." "Not to mention the right to grow old and ugly
And impotent; the right to have syphilis and cancer; the right to have
Too little to eat; the right to be lousy; the right to live in constant
Apprehension of what may happen tomorrow; the right to catch
Typhoid; the right to be tortured by unspeakable pains of every kind."

     六
“可我不要舒适。我要上帝,我要诗,我要
真正的危险,我要自由,我要善。我要罪孽”。
“这就是”,穆斯塔法- 孟德说,“你要求不开心的权利”。
“那就这么着了”,野蛮人挑衅地回应,“我就是要求
不开心的权利”。“不仅如此,还要有权变老、变丑,
阳痿不举;有权得梅毒大疮和癌病;有权吃不饱;
还要有权脏乱懒散;有权一直活得忧心忡忡,
不知道明天会有什么降临;还要有权被伤寒击中;
有权经受折磨,承受各种无法诉诸语言的苦痛”。


     VII
The young woman stood, smiling at him—
An uncertain, imploring, almost abject smile.
The seconds passed.
Her lips moved, she was saying something;
But the sound of her voice was covered by the loud
Reiterated refrain of the sightseers.
"We – want-- the whip! We – want -- the whip!"
The young woman pressed both hands to her left side,
And on that peach-bright, doll-beautiful face of hers
Appeared a strangely incongruous expression
Of yearning distress.
        Her blue eyes seemed to grow
Larger, brighter; and suddenly two tears rolled down her cheeks.
Inaudibly, she spoke again; then, with a quick, impassioned gesture
Stretched out her arms toward the Savage, stepped forward.
"We – want-- the whip! We – want…"

     七
那年轻女人站定在他面前,微笑——
那般闪忽、哀怨、几乎是凄楚可怜。
几秒钟过去了。
她嘴唇动了动,嗫嚅着什么,
但她的嗓音被看客们此起彼伏的
高声呼喊所淹没。
“我们—需要—鞭打!我们—需要—鞭打!”
那年轻女人双手紧紧压在身体左侧,
她那春桃般艳丽、洋娃娃般漂亮的脸庞上
浮现出一种欲望受挫的表情,怪异得
无法与那张脸协调。
        她那湛蓝的眼眸似乎
更大更明亮了,而两滴泪珠突然滚落脸颊。
她再次说话,依然不可听见。接着,她以一个
讯捷激情的动作,向野蛮人展开双臂,上前一步。
“我们—需要—鞭打!我们—需要—鞭打!”

按:
  以上文字完全是从原小说中抄录来的(惟一的修改是第二首中用PS代替了一下Pregnancy Substitute),段落的顺序也是按照原书的,我只是分了行;如果不熟悉这本书的故事,那么我只说一点与此相关的部分。
  《美丽新世界》Brave New World这个词来自莎士比亚(他也是那个未来世界中惟一容许的文学作者),该小说说的是一个未来世界,那个社会中人分为五等,但都由孵化场制造(女主角Lenina以及她的好友Fanny就是孵化场的工作人员);鼓励与他人性爱,人们以独自一人为羞耻,因此女性角色更加充满了满足公共需要的色彩(“每个人都属于任何他人”就是这个意思),不可以有家或者婚姻(因此男女都不动感情,因此鼓励乱交)。他们的教育是在催眠状态下完成了,他们都吸食一种叫做Soma的毒品保持欢快心情(这个饮料名字来自印度神话中所说的诸神的饮品,据信主要成分是致幻蘑菇、大麻、麻黄等),从事的半宗教性休闲集体活动叫做障碍高尔夫。这个世界上的人因此人人开心,但伯纳德- 马克思有点独立思想的意识;他和Lenina去一个叫做Malpais(西班牙语意为“恶国”)的野蛮人世界度假时,带回了一个野蛮男孩(实际上是他前上司的孩子),而野蛮男孩爱上了列宁娜,最后采取了一种自我惩罚式的鞭打。
  顺便说一句,全书人物的名字都有历史来历,例如这里的Lenina是列宁Lenin的女性化名字,伯纳德- 马克思就是科学家伯纳德和马克思,而列宁娜的好友范妮则是当年刺杀列宁未遂的女刺客范妮- 卡普兰。
  我选的这几段主要是为了反应女性在那个世界的生存。